Chamber I

Hathor

Hathor motif: a sun disk between cow horns, drawn in the style of an Egyptian relief

Goddess of love, music, joy and the sky; mother, nurse and welcomer of the dead. This page gathers what Egyptian sources and scholars say about her, and marks anything less certain.

Pictures

A carved relief of a goddess in profile wearing a crown of a sun disc between cow horns, set on a modius, with a long patterned wig.
Carved relief of a goddess wearing a horned sun-disc crown, Dendera. Photograph by the site owner.

The photographs are from the site owner’s visit; see the Dendera Visit page for the full set.

Artwork reimagining Hathor: a woman with long dark hair at night, wearing a crown of two dark feathers around a golden sun disk with a cobra at the front, a turquoise collar and a black gown, beside a full moon.
Artwork reimagining Hathor, used as her guide portrait on this site. It is a modern picture, not an ancient depiction.

Facts

Most facts here are firmly in the ancient record and carry no label. Where scholars read the evidence differently, or the point is uncertain, the fact is marked: Scholarly interpretation Uncertain

Her name

Hathor is the Greek form of the Egyptian name Ḥwt-Ḥr, usually translated “House of Horus.” It can be read as the sky-house in which the falcon-god Horus dwells.

What she embodied

Love, beauty, music, dance, joy, motherhood and the sky. She was also tied to foreign lands and to the riches that came from them, such as turquoise, copper and incense.

How she was shown

As a cow; as a woman with cow horns holding a sun disk; and sometimes as a woman with cow ears. Her name-glyph and her face also appear on the sistrum and on “Hathor-column” capitals.

Dendera

Her best-known cult centre was Dendera in Upper Egypt. The temple standing today dates mainly to the Ptolemaic and early Roman periods (first century BCE – first century CE), on a site used for far longer.

Sinai and turquoise

At Serabit el-Khadim in the Sinai, Egyptian mining expeditions built a temple to Hathor as patron of the turquoise mines.

The Eye of Ra

In the myth often called the Destruction of Mankind, the Eye of Ra goes out as a fierce goddess and is pacified. In that story the Eye appears as Hathor and as the lioness Sekhmet.

Welcoming the dead

Especially at Thebes, Hathor was the goddess of the western necropolis and was shown receiving the dead into the West.

The divine nurse

A cow-form Hathor suckles the king in reliefs, for example in the Hathor shrine at Deir el-Bahari. This expresses his divine legitimacy.

The sistrum

The sistrum, a rattle shaken in ritual, was a sacred instrument closely tied to Hathor. Isis, who took over many of Hathor’s symbols from the New Kingdom, is also shown with one.

Hathor and Byblos

Her link with Byblos, the port on the coast of modern Lebanon, goes back to the Old Kingdom, long before the Greco-Roman period. An alabaster offering plate of King Pepy I (Sixth Dynasty) found at Byblos names “Hathor, Mistress of Dendera,” and a scribe statuette of the same time reads “Hathor, Mistress of Dendera, who lives in Byblos.”

Lady of Byblos and Baalat Gebal

Scholarly interpretation

The explicit title “Lady of Byblos” is attested in Middle Kingdom Coffin Texts. Scholars read it as Egypt identifying Hathor with Byblos’s own goddess, Baalat Gebal. Egyptian texts stop linking the two after the New Kingdom, as Isis grew more prominent. This blending is a separate matter from the later Hathor and Isis blending.

An older sign at Byblos?

Uncertain

A cylinder seal of King Khafre (Fourth Dynasty) found at Byblos bears Hathor’s name without any title. Some scholars take it as an earlier sign of the link. This is not settled.

Punt

The Punt reliefs in Hatshepsut’s temple at Deir el-Bahari say the expedition’s goods were sent “for Hathor, Mistress of Punt.” Punt was a source of incense and other luxury goods. It is believed to lie on the Red Sea coast of north-east Africa, and its exact location is debated.

Nubia

Hathor’s cult reached Nubia with Egyptian expeditions and New Kingdom building there. A rock-cut chapel to “Hathor of Ibshek” stood at Faras, a Hathor temple stood at Mirgissa, and Ramesses II built the Small Temple at Abu Simbel for Hathor and Queen Nefertari. Who first built the Faras chapel is uncertain.

The Seven Hathors

Scholarly interpretation

In later periods seven Hathors appear as fate-givers at a child’s birth. This is attested in Egyptian literature such as the Tale of the Doomed Prince.

Hathor and Isis

Scholarly interpretation

In the Greco-Roman period Hathor and Isis were increasingly blended, and the Greeks identified Hathor with Aphrodite. This is separate from Hathor’s much older link with Byblos.

Hathor before Hathor?

Uncertain

Cow-faced heads on the Narmer Palette (around 3100 BCE) are often linked with Hathor or with the related goddess Bat. Scholars disagree, so treat it as an open question.

Epithets

Epithets are the titles by which Hathor was addressed. Translations vary between scholars, so the English wording below is one common rendering.

A note on sources

This page is a plain-language summary and a starting point, not a substitute for primary sources. Spellings and translations differ between scholars. If you quote a title, check it against a published translation or the temple inscription itself. The owner may add personal reflections and interpretations elsewhere on the site, always labelled as such.